The specifics of the pianist's concertmaster competencies in the process of working with soloists-vocalists
Rudneva Svetlana Vladimirovna
Moscow State Institute of Culture (MGIK)
Submitted: 13.07.2024
Abstract. The purpose of the study is to identify the main concertmaster competencies that ensure high quality and productivity of the pianist's collaboration with soloists–vocalists. The article raises the question of the typology of concertmaster competencies, examines the role of various competencies in the performance of the tandem "vocalist/pianist". Their specificity is considered by the example of the concertmaster's work on the Tchaikovsky romance "To Forget so Soon". The scientific novelty of the research lies in the systematization and differentiation of the content of competencies. As a result of the research, the boundaries of the following concertmaster competencies have been identified and defined: performing (highly professional), musical-theoretical, pedagogical, organizational, socio-psychological competencies. The prospects for the implementation of a competence-based approach in concertmaster activity are determined.
Key words and phrases: концертмейстер, концертмейстерские компетенции, пианист, солист-вокалист, concertmaster, concertmaster competencies, pianist, soloist-vocalist
Open the whole article in PDF format. Free PDF-files viewer can be downloaded .
References:
Al'shvang A. A. P. I. Chaikovskii. M.: Muzyka, 1970.
Batyrshina G. I. Deyatel'nost' pianista-kontsertmeistera kak predmet strukturno-funktsional'nogo analiza // Kontsertmeisterskoe iskusstvo: teoriya, istoriya, praktika: materialy vserossiiskoi nauchno-prakticheskoi konferentsii. Kazan': Tatarskii gosudarstvennyi gumanitarno-pedagogicheskogo universitet, 2011.
Biktashev V. N. Iskusstvo kontsertmeistera. Osnovy ispolnitel'skogo masterstva. SPb.: Soyuz khudozhnikov, 2014.
Borisova L. N. Spetsifika professional'noi kompetentnosti kontsertmeistera // Sovremennoe obrazovanie v Rossii i za rubezhom: teoriya, metodika i praktika: materialy IV mezhdunarodnoi nauchno-prakticheskoi konferentsii. Cheboksary: OOO Interaktiv-plyus, 2016.
Kalinina V. D. Bazovye komponenty i professional'naya spetsifikatsiya v tvorcheskoi deyatel'nosti kontsertmeistera-pianista: avtoref. diss. … k. isk. Saratov, 2015.
Kryuchkov N. A. Iskusstvo akkompanementa kak predmet obucheniya. SPb.: Lan'; Planeta muzyki, 2017.
Kubantseva E. I. Kontsertmeisterskii klass. M.: Akademiya, 2002.
Kuritskaya L. V. Kouchingovyi podkhod v rabote so studentami kontsertmeisterskogo klassa // Manuskript. 2019. T. 12. Vyp. 11.
Levashova T. A. Printsipy kontsertmeisterskoi traditsii i metody ikh realizatsii v protsesse obucheniya pianistov-kontsertmeisterov // Vestnik nauki. 2023. T. 4. № 12 (69).
Mailis Yu. A. Istoricheskii aspekt razvitiya i osobennosti professional'nogo masterstva kontsertmeistera // Yuzhno-Rossiiskii muzykal'nyi al'manakh. 2015. № 2 (19).
Malinin F. N. Apukhtin i Chaikovskii // Muzykal'noe nasledie Chaikovskogo: iz istorii ego proizvedenii / avt.-sost. K. Yu. Davydova, E. M. Orlova. M.: Izd-vo AN SSSR, 1958.
Mur Dzh. Pevets i akkompaniator. M.: Raduga, 1987.
Ostrovskaya E. A. Psikhologicheskie aspekty deyatel'nosti kontsertmeistera v muzykal'no-obrazovatel'noi sfere instrumental'nogo ispolnitel'stva: avtoref. diss. … k. isk. Saratov, 2006.
Ponomareva E. I. Sovety nachinayushchim kontsertmeisteram (spetsifika raboty v vokal'nom klasse) // Yuzhno-Rossiiskii muzykal'nyi al'manakh. 2014. № 4 (17).
Ravcheeva N. A. Professiya kontsertmeistera: k istokam // Mir nauki, kul'tury, obrazovaniya. 2013. № 6 (43).
Solov'eva L. A. Formirovanie professional'nykh i psikhologo-pedagogicheskikh kachestv muzykanta-kontsertmeistera // Kontsept. 2015. № 6.
Chachava V. N. Iskusstvo kontsertmeistera. SPb.: Kompozitor, 2005.
Sholukho E. V. Problemy psikhologicheskogo sostoyaniya kontsertmeistera i sposoby ego samoregulyatsii // Interaktivnaya nauka. 2022. № 7 (72).
Yudin A. N. Uroki kontsertmeisterskogo masterstva: iz opyta raboty pianistov-akkompaniatorov s Zaroi Dolukhanovoi i Georgom Otsom // Muzykal'noe iskusstvo i obrazovanie. 2016. № 3.
Русский
