Timbre Character Formation of the Domra Part in the Folk-Orchestra Repertoire
Romashkova Olga Nikolaevna, Semishova Anna Mihailovna
Tambov State Music and Pedagogical Institute named after S. V. Rachmaninov
Submitted: 09.09.2021
Abstract. The study aims to identify the main stages in timbre character formation of the domra part in pieces composed by Russian authors for the Russian folk orchestra. Scientific novelty of the study lies in taking an original approach to the interpretation of the timbre character of the domra part in modern music. Issues related to timbre possibilities of the domra group are tackled for the first time in the historical process of the folk-orchestra repertoire. The researchers give convincing examples from musical compositions that confirm that over the 125 years that the revived domra has existed, this instrument has gained a strong position as a most important orchestral voice in scores written by Russian authors. As a result, using examples from musical compositions, the researchers have provided an insight into the process of timbre character formation of the domra part in the setting of repertoire development for the orchestra of Russian folk instruments.
Key words and phrases: домра, партия домры, народно-оркестровое искусство, репертуар для оркестра русских народных инструментов, тембр, domra, domra part, folk-orchestra art, repertoire for the orchestra of Russian folk instruments, timbre
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