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SOURCE:    Manuscript. Tambov: Gramota, 2020. № 5. P. 188-192.
SCIENTIFIC AREA:    Study of Art
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https://doi.org/10.30853/manuscript.2020.5.37

Musical and Symbolic Model of Karol Szymanowski’s Opera "King Roger"

Saduova Aliya Talgatovna, Karpova Elena Konstantinovna
Ufa State Institute of Arts named after Zagir Ismagilov


Submitted: 30.03.2020
Abstract. The paper aims to decode the musical and symbolic model of Karol Szymanowski’s opera "King Roger", which is considered from the viewpoint of the author’s myth theory, and to trace formation of the composer’s conception. Scientific originality of the study involves identifying musical themes-symbols that reveal the personage’s inner world and indicate stages of the human’s transformation on the way to spiritual harmony. The findings lead to the conclusion that, reinterpreting mythologemes and symbols of different epochs and cultures, the composer creates his own myth where images of the bygone age form new artistic space. Surpassing national and temporal borders, Szymanowski develops his own worldview.
Key words and phrases: польская музыка, Кароль Шимановский, опера "Король Рогер", авторский миф, музыкальная драма, музыкальные темы-символы, Polish music, Karol Szymanowski, opera "King Roger", author’s myth, musical drama, musical themes-symbols
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