PROSPECTS FOR COMPREHENSIVE STUDY OF THE MONGOLIAN TRADITIONAL PAINTING MONGOL ZURAG (BY THE EXAMPLE OF B. SHARAV’S PICTURES)
Ikkert Tat'yana Valer'evna
Altai State Institute of Culture
Submitted: 09.09.2019
Abstract. The article justifies a comprehensive methodological approach to interpreting the Mongolian artist B. Sharav’s paintings. The proposed approach combines the methodology based on identifying cultural constants and an attempt of iconological analysis. According to the author, such an approach allows revealing deeper semantic layers of pictorial works associated with Mongolia’s cultural constants, namely the "ornament", and identifying the compositional integrity of multi-figure and multi-plot paintings executed in the original pictorial style Mongol Zurag using the Mongolian ornament as an initial iconological image.
Key words and phrases: монгольское искусство, монгол зураг, творчество Б. Шарава, культурные константы, орнамент, иконологический подход, Mongolian art, Mongol Zurag, B. Sharav’s creative work, cultural constants, ornament, iconological approach
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