A. I. KHACHATURIAN’S SONATA-MONOLOGUE FOR SOLO VIOLIN. ON THE ISSUE OF GENRE AND CONCEPTION
Nesterov Sergei Igorevich
Saratov State Conservatoire
Submitted: 19.05.2018
Abstract. The article discovers a great diversity of violin miniature genre modifications in the context of the searches of the post-modernistic composers of the second half of the XX century. For the first time in musicology the researcher provides a detailed analysis of A. I. Khachaturian’s sonata-monologue for solo violin, which helps to trace the self-quotation process, to identify the author’s individual and contextually generalized synthesizing planes of neo-folklorism, constructive combinatorics, poly-stylistics, by which the philosophical notion of the artist’s reflection in the modern world is developed at the level of micro-thematism and integrity conception.
Key words and phrases: А. И. Хачатурян, сочинения для скрипки соло, метацикл, самоцитаты, интонационно-тематические микрокадры, полифункциональные аккорды, полистилистика, A. I. Khachaturian, compositions for solo violin, meta-cycle, self-quotations, prosodic-thematic micro-frames, multifunctional chords, poly-stylistics
Open the whole article in PDF format. Free PDF-files viewer can be downloaded .
References:
Kaloshina G. E. Dramaturgicheskie protsessy i problema tsikla v simfoniyakh Gii Kancheli // Pamyati uchitelei: L. Ya. Khinchin, A. N. Sokhor: sbornik statei. Rostov n/D: RGK im. S. V. Rakhmaninova, 1995. S. 80-95.
Kaloshina G. E. O sonatnosti vysshego poryadka i ee svyazyakh s printsipami simfonizatsii v operno-oratorial'nom tvorchestve A. Oneggera // Cherty sonatnogo formoobrazovaniya: sbornik trudov GMPI im. Gnesinykh. M.: GMPI, 1978. Vyp. 34 S. 199-220.
Kaloshina G. E. Osobennosti simfonizatsii monumental'nykh vokal'nykh zhanrov A. Oneggera: avtoref. diss. … k. iskusstvovedeniya. L.: LGITMiK im. Cherkasova, 1987. 27 s.
Kaloshina G. E. Paradoksal'naya montazhnost' v muzykal'nom teatre i instrumental'noi muzyke Motsarta i Prokof'eva // Motsart - XX vek. Rostov n/D: RGPU, 1993. S. 53-70.
Kaloshina G. E. Problema kontseptsii i stanovlenie "intonatsionnoi fabuly" v pozdnikh simfoniyakh Antona Bruknera // Yuzhno-Rossiiskii muzykal'nyi al'manakh. 2005. № 2. S. 159-168.
Kaloshina G. E. Tret'ya simfoniya I. Bramsa v vuzovskom kurse istorii muzyki (k probleme ideino-khudozhestvennoi kontseptsii) // Yuzhno-Rossiiskii muzykal'nyi al'manakh. 2010. № 1 (6). S. 46-51.
Nesterov S. I. Dramaturgicheskie i kompozitsionnye osobennosti miniatyury dlya skripki solo poslednei treti KhKh v. // Vestnik Adygeiskogo gosudarstvennogo universiteta. Seriya 2. Filologiya i iskusstvovedenie. 2017. № 1 (192). S. 169-178.
Nesterov S. I. Zhanrovye vzaimodeistviya v muzyke dlya skripki solo poslednei treti KhKh veka // Vestnik Adygeiskogo gosudarstvennogo universiteta. Seriya 2. Filologiya i iskusstvovedenie. 2016. № 3 (182). S. 229-235.
Nesterov S. I. Puti razvitiya sonaty dlya skripki solo v kontekste stilevykh, zhanrovykh i ispolnitel'skikh iskanii muzyki XX veka: diss. … k. iskusstvovedeniya. Rostov-na-Donu, 2009. 227.
Tigranov G. G. Aram Il'ich Khachaturyan. M.: Muzyka, 1987. 192 s.
Русский
