Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2018. № 2. P. 146-150.
Abstract. For the first time the article carries out the complex study of the main strategies for interpreting the mask theme in surrealist photography in the national art history. The work reveals such approaches to the interpretation of the mask theme in surrealist photography as its representation as an artifact / found object, fetish / element of sexual game, interpretation as a form of identity. The research shows that when referring to the mask motive surrealist photography updates such topics as ethnography, colonialism, eroticism, desire, violence, death, gender identity, and self-knowledge.
Key words and phrases: модернизм, сюрреализм, фотография, маска, идентичность, modernism, surrealism, photography, mask, identity
Open the whole article in PDF format. Free PDF-files viewer can be downloaded .
References:
Breton A. Bezumnaya lyubov' / per. s frants. M.: Tekst, 2006. 188 s.
Vasil'eva E. V. Maska i kharakter v fotografii XIX veka // Vestnik Sankt-Peterburgskogo universiteta. Seriya 15. Iskusstvovedenie. 2012. Vyp. 4. S. 175-186.
Gavrishina O. V. Imperiya sveta: fotografiya kak vizual'naya praktika epokhi "sovremennosti". M.: Novoe literaturnoe obozrenie, 2001. 192 s.
Kaiua R. Igry i lyudi. Stat'i i esse po sotsiologii kul'tury / per. s frants. M.: OGI, 2007. 304 s.
Krauss R. Kholostyaki / per. s angl. M.: Progress-Traditsiya, 2004. 144 s.
Shtain O. A. Maska kak forma identichnosti: vvedenie v filosofiyu obraza. SPb.: Izdatel'stvo RKhGA, 2012. 160 s.
Bate D. Photography and surrealism: sexuality, colonialism and social dissent. L. - N. Y.: I. B. Tauris, 2004. 240 p.
Casques et masques de danse du Soudan fran?ais // Minotaure. 1933. № 2. Mission Dakar-Djibouti 1931-1933. P. 20-21.
Chadwick W. Fetishizing Fashion / Fetishizing Culture: Man Ray’s "Noire et blanche" // Oxford Art Journal. 1995. Vol. 18. № 2. P. 3-17.
Chow O. Idols/Ordures: Inter-repulsion in Documents’ big toes [Elektronnyi resurs]. URL: http://www.drainmag.com/ contentDESIRE/Essay/Chow.html (data obrashcheniya: 18.11.2017).
Don’t Kiss Me. The Art of Claude Cahun and Marcel Moore / ed. by L. Downie. L.: Aperture, 2006. 240 p.
Einstein C. Masque de danse rituelle Ekoi // Documents. 1929. № 7.
Goysdotter M. Impure Vision: American Staged Photography of the 1970s. Lund: Nordic Academic Press, 2013. 176 p.
Jaguer E. Les myst?res de la chambre noire: le surr?alisme et la photographie. Paris, 1982. 223 p.
Laughlin C. J. Sculpture Seen Anew // College Art Journal. 1954. Vol. 14. № 1. P. 2-6.
Leiris M. Danses fun?raires Dogon // Minotaure. 1933. № 1. P. 73-76.
Leiris M. Le caput mortuum ou la femme de l'alchimiste // Documents. 1930. № 8. P. 21-26.
Leiris M. Masques Dogon // Minotaure. 1933. № 2. Mission Dakar-Djibouti 1931-1933. P. 45-51.
Leiris M. Objets rituels Dogon // Minotaure. 1933. № 2. Mission Dakar-Djibouti 1931-1933. P. 26-30.
Limbour G. Eschyle, le carnaval et les civilis?s // Documents. 1930. № 2. P. 96-102.
Peniche Montfort E. Fetiches de Kati Horna. Fotograf?a y surrealismo [Elektronnyi resurs]. URL: http://reflexionesmarginales. com/3.0/18-fetiches-de-kati-horna-fotografia-y-surrealismo/ (data obrashcheniya: 18.11.2017).
Ralph Eugene Meatyard: Dolls and Masks [Elektronnyi resurs]. URL: http://www.artic.edu/exhibition/meatyard (data obrashcheniya: 18.11.2017).
Sydow E. von. Masques-Janus du Cross-River (Camerun) // Documents. 1930. № 6. P. 324-328.
Warehime M. Brassai: Images of Culture and Surrealist Observer. Baton Rouge: Louisiana State University Press, 1998. 193 p.
Русский
