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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2018. № 1. P. 138-142.
SCIENTIFIC AREA:    Study of Art
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https://doi.org/10.30853/manuscript.2018-1.29

FRESCO "SAINT MARY OF BLACHERNAE WITH ARCHANGELS" IN THE 1502 WALL-PAINTING OF THE CATHEDRAL CHURCH OF FERAPONTOV MONASTERY. INTERPRETATION AND SYMBOLISM

Silina Ol'ga Vladimirovna
Kirillo-Belozersky Historical-Architectural Art Museum-Reserve, Branch of the Museum of Dionisy’s Frescoes, Vologda region, Kirillovsky district


Submitted: 04.02.2018
Abstract. The article for the first time provides an analysis of iconographic sources of the composition "Saint Mary of Blachernae with Archangels" in Dionisy’s 1502 wall-painting. The author proposes a new interpretation of the fresco as "Synaxis of the Archangel Michael". For the first time the paper justifies the interrelation of the inscription on the icon with the liturgical text of "Lifting of the Panagia" rite. The author concludes that Holy Virgin image is interpreted as Panagia, and such interpretation seemed to have influence on the Russian iconographic tradition, both in Dionisy’s time and in the earlier period.
Key words and phrases: фрески Дионисия, иконография, композиция, Богоматерь Воплощение, Собор архангела Михаила, чин возношения панагии, Dionisy’s frescoes, iconography, composition, Saint Mary of Blachernae, Synaxis of the Archangel Michael, "Lifting of the Panagia" rite
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