Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2017. № 8. P. 23-25.
MIECZYS?AW WEINBERG’S OPERAS ON MOSCOW STAGES: FROM IDEA TO INTERPRETATION
Artemova Evgeniya Georgievna
Moscow City University
Abstract. In the article the analysis of new stage interpretations of the operas by the Soviet and Russian composer Mieczys?aw Weinberg "The Passenger" and "The Idiot" first presented on the stage of the Bolshoi Theatre and Kolobov Novaya Opera Theatre of Moscow in 2017 is conducted. They are the first ("The Passenger") and the last ("The Idiot") out of seven operas by Weinberg, whose opera works are little studied. The author focuses on originality of staging decisions in revelation of the composer’s ideas.
Key words and phrases: Мечислав Вайнберг, оперы, "Пассажирка", "Идиот", Большой театр, театр "Новая опера", постановка, интерпретация, Mieczys?aw Weinberg, operas, "The Passenger", "The Idiot", Bolshoi Theatre, Novaya Opera Theatre, staging, interpretation
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References:
Artemova E. G. Stolichnye opernye prem'ery // Muzykal'naya akademiya. 2013. № 1. S. 90-96.