Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2016. № 7. Part 1. P. 29-32.
SOVIET COMPOSERS’ SONATA FOR CELLO AND PIANO IN THE LIGHT OF ARTISTIC TENDENCIES OF THE XX-CENTURY MUSIC
Gudozhnikova Ol'ga Nikolaevna
Magnitogorsk State Conservatory (Academy) named after M. I. Glinka
Abstract. The article discovers the specifics of developing the soviet sonata for cello and piano in the light of the basic artistic tendencies of the XX-century music. The author pays special attention to the following issues: the vital importance and stable priority of chamber genres in the XX-century music, the bloom of cello performance, growing interest for cello as an instrument of rich semantic and instrumental potentials, the co-authorship of performers and composers, the potentials of classical genres to implement the basic tendencies of the XX-century music.
Key words and phrases: соната для виолончели и фортепиано, ведущие художественные тенденции музыки ХХ века, камерность, камерные жанры, сотворчество композиторов и исполнителей, виолончель, М. Л. Ростропович, sonata for cello and piano, basic artistic tendencies of the XX-century music, chamber, chamber genres, co-authorship of performers and composers, cello, M. L. Rostropovich
Open the whole article in PDF format. Free PDF-files viewer can be downloaded .
References:
Besedy s Al'fredom Shnitke / sost. A. V. Ivashkin. M.: Klassika - XXI, 2005. 320 s.
Vasil'ev A. V., Samoilova N. K. Fortepiannoe trio: osobennosti klassicheskogo etapa v evolyutsii zhanra // Istoricheskie, filosofskie, politicheskie i yuridicheskie nauki, kul'turologiya i iskusstvovedenie. Voprosy teorii i praktiki. Tambov: Gramota, 2015. № 11 (61). Ch. 3. S. 33-36.
Gaidamovich T. A. Istoriya violonchel'nogo iskusstva: programma-konspekt. M.: Muzyka, 2006. 80 s.
Dzektser I. N. Tamara Lazarevna Fidler // Ansamblevye traditsii Sankt-Peterburgskoi konservatorii. SPb.: Sankt-Peterburgskaya konservatoriya, 2005. S. 108-113.
Dolinskaya E. B. Nekotorye razmyshleniya o tendentsiyakh razvitiya otechestvennoi muzyki poslednei treti KhKh stoletiya // Muzykal'naya kul'tura KhKh stoletiya: poiski, sversheniya, perspektivy: sb. mat. Mezhdunarodnoi nauchno-prakticheskoi konferentsii (26-28 noyabrya 2008 g.) / Magnitogorskaya gosudarstvennaya konservatoriya; redkoll.: A. A. Glazunov (sost.), I. L. Pivovarova i dr. Magnitogorsk, 2009. S. 3-9.
Dolinskaya E. B. O russkoi muzyke poslednei treti KhKh veka: uchebnoe posobie po kursu "Istoriya sovremennoi otechestvennoi muzyki" dlya studentov muzykal'nykh vuzov. M.: Prestizh-ARIA, 2001. 160 s.
Kalashnikova O. A. Problema strukturnoi tselostnosti formy i ee reshenie v fortepiannykh sonatakh sovremennykh voronezhskikh avtorov // Istoricheskie, filosofskie, politicheskie i yuridicheskie nauki, kul'turologiya i iskusstvovedenie. Voprosy teorii i praktiki. Tambov: Gramota, 2015. № 1 (51). Ch. 1. S. 55-58.
Konson G. Ob izdannykh v XXI veke issledovaniyakh S. S. Skrebkova // Muzykal'naya akademiya. 2012. № 2. S. 106-111.
Pavlovskii A. N. Violonchel'nye kontserty, posvyashchennye M. Rostropovichu // Muzykal'naya zhizn'. 2012. № 2. S. 92-94.
Platek Ya. Nado lyubit' muzyku: k 80-letiyu Mstislava Rostropovicha // Muzykal'naya zhizn'. 2007. № 3. S. 2-6.
Pol'skaya I. I. Kamernyi ansambl': istoriya, teoriya, estetika. Khar'kov: Khar'kovskaya gosudarstvennaya akademiya kul'tury, 2001. 387 s.
Khrennikov T. N. O vremeni, o muzyke i muzykantakh, o sebe. M.: Kompozitor, 2003. 160 s.
Shchedrin R. K. Rodion Shchedrin: avtobiograficheskie zapisi. M.: AST; AST MOSKVA; NOVOSTI, 2008. 288 s.
Русский
