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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice. Tambov: Gramota, 2016. № 12. Part 3. P. 121-126.
SCIENTIFIC AREA:    Study of Art
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COLLECTIVE PERFORMANCES: FROM PARTICIPATION TO SOCIAL LIFE PRODUCTION
Osminkin Roman Sergeevich
Russian Institute of Art History in Saint Petersburg
Abstract. Contemporary art has lowered pathos of historical avant-garde on the world reconstruction and limited the field of its "direct action" to happenings, actions, performances, flash mobs, re-enactments, included researches and pedagogical projects. New art collectives, using the strategy of counter-publicity and forms of "constructive intervention", tend not to dissolve art in life, but on the contrary, make it an agent of social changes no longer mediated by art-institutional representation.
Key words and phrases: раннесоветский авангард, социально-ангажированное искусство, хепенинг, коллективный перформанс, партиципаторное искусство, К. Бишоп, интервенционистское искусство, Г. Шолетт, early Soviet avant-garde, socially engaged art, happening, collective performance, participatory art, K. Bishop, interventional art, G. Sholette
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