Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2016. № 12. Part 2. P. 16-19.
Avdoshin Georgii Valer'evich
Kazan State Power Engineering University
Abstract. The article examines the nature of movement in cinema. It is most fully reflected by the concept of duration introduced by Henri Bergson. Movement-duration in cinema is the whole, which combines filmed reality; this is a thread, on which film shots are strung. The main task of cinema is to find this thread, to recreate the whole movement fragmented by individual plans, to "weave" time into single fabric of the narrative turning the film into real life full of truth.
Key words and phrases: движение, длительность, время, кинематограф, план, монтаж, movement, duration, time, cinema, plan, editing
Open the whole article in PDF format. Free PDF-files viewer can be downloaded here.
References:
Bergson A. Tvorcheskaya evolyutsiya. M.: KANON-Press; Kuchkovo pole, 1998. 384 s.
Bunyuel' L. O fotogenichnom plane // Iz istorii frantsuzskoi kinomysli: nemoe kino, 1911-1933. M.: Iskusstvo, 1988. S. 115-119.
Bkhagavadgita. M.: "Vostochnaya literatura" RAN, 1999. 256 s.
Delez Zh. Kino. M.: Ad Marginem, 2004. 624 s.
Lipavskii L. Issledovanie uzhasa. M.: Ad Marginem, 2005. 448 s.
Tarkovskii A. A. Uroki rezhissury. M., 1992. 92 s.
Eizenshtein S. Montazh 1938 // Eizenshtein S. Izbrannye proizvedeniya: v 6-ti t. M.: Iskusstvo, 1964. T. 2. S. 156-189.