Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2016. № 11. Part 2. P. 165-168.
MYTHOLOGICAL CONSTANTS OF THE PSYCHOLOGICAL WORLD OF A. P. BORODIN’S QUARTET № 2
Sevost'yanova Liliya Vasil'evna
Saratov State Conservatory named after L. V. Sobinov
Abstract. The article discovers the mythological origins of A. P. Borodin’s Quartet № 2. Referring to Jungian archetypes of Hero and Anima the author emphasizes the originality of their implementation, which differs from the traditional "romantic two-worldness" situation typical for composers-romanticists, in particular, P. I. Tchaikovsky. The paper shows changes in the quartet’s internal structure focusing on correlations between traditional elements and the quartet cycle on the whole. The identified peculiarities are compared with the characterological features of the composer’s personality.
Key words and phrases: мифологика, Герой, Анима, интроверсия, экстраверсия, релаксация, артистизм, mythology, Hero, Anima, introversion, extraversion, relaxation, artistry
Open the whole article in PDF format. Free PDF-files viewer can be downloaded here.
References:
A. P. Borodin v vospominaniyakh sovremennikov. M.: Muzyka, 1985. 288 s.
Berberov R. "Epicheskaya poema" G. Galynina. M.: Sovetskii kompozitor, 1986. 391 s.
Vekker L. M. Psikhika i real'nost': edinaya teoriya psikhicheskikh protsessov. M.: Smysl, 1998. 364 s.
Golovinskii G. Kamernye ansambli Borodina. M.: Muzyka, 1972. 310 s.
Tyutchev F. I. Stikhotvoreniya. M.: Khudozhestvennaya literatura, 1973. 302 s.
Yung K.-G. Arkhetip i simvol. M.: Renaissance, 1991. 304 s.
Yavorskii B. Izbrannye trudy: v 2-kh t. M.: Sovetskii kompozitor, 1987. T. 2. Ch. 1. 366 s.