Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2016. № 10. P. 178-182.
ANTHROPOLOGICAL PRINCIPLE IN MICHAEL CHEKHOV’S ART
Titov Yurii Fedorovich
Boris Shchukin Theatre Institute affiliated with Evgeny Vakhtangov State Academic Theatre
Abstract. The article is devoted to such phenomenon as "theatre anthropology", interest to which becomes more and more apparent in the XXI century. The insufficiently explored creative heritage of Michael Chekhov and its relation with the basic principles of theatrical anthropology cause a great number of myths and prejudice. In this connection, the author carefully examines the figure of Michael Chekhov as a forerunner of this direction. Special attention is paid to the issues of the unity of the master’s biography and his artistic activity considered through the lenses of theatre anthropology, which can be a key in understanding the method of acting technique according to Michael Chekhov.
Key words and phrases: театральная антропология, тренинг, мультикультурность, энергия, пре-экспрессивное состояние, theatre anthropology, training, multiculturalism, energy, pre-expressive state
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