Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2015. № 3. Part 1. P. 22-27.
ON ROLE OF THE RUSSIAN PIANO SCHOOL IN PROCESS OF ARTISTIC FORMATION OF PIANO ART OF CHINA AND JAPAN
Aizenshtadt Sergei Abramovich
Far Eastern State Academy of Arts
Abstract. The article is devoted to the poorly investigated aspects of the influence of the Russian piano school on the musical culture of the countries of the Far Eastern region. The author concludes that a special role of the Russian piano school for the formation of the Japanese and Chinese piano art is in many ways conditioned by the fact that certain style qualities of the Russian pianism turned out to be particularly relevant and required for the initial adoption of the European musical language and successful forming the style content of national piano schools.
Key words and phrases: русская фортепианная школа, китайское фортепианное искусство, японское фортепианное искусство, Токио онгаку гакко, Шанхайская консерватория, Лео Сирота, Леонид Крейцер, Борис Захаров, Татьяна Кравченко, the Russian piano school, the Chinese piano art, the Japanese piano art, Tokyo Music School (T?ky? Ongaku Gakk?), Shanghai Conservatory of Music, Leo Sirota, Leonid Kreutzer, Boris Zakharov, Tatyana Kravchenko
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