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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2015. № 12. Part 4. P. 105-108.
SCIENTIFIC AREA:    Study of Art
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A. A. LATYPOV’S ROLE IN THE FORMATION OF PROFESSIONAL PERFORMANCE ON THREE-STRINGED DOMRA IN UFA

Loginova Irina Valer'evna
Ufa State Academy of Arts named after Zagir Ismagilov


Abstract. The article examines the initial stage of forming professional performance on three-stringed domra in Ufa. For the first time the researcher analyzes the role in this process of the talented professional domra player Almas Akhunovich Latypov - the teacher, folk instrument restorer, first performer of the concert for domra by the Bashkir composer N. Ya. Inyakin. The paper provides facts from the history of Ufa amateur and professional ensembles and orchestras. The author concludes that A. A. Latypov’s multi-aspect activity allows acknowledging him as a founder in many aspects of the process of the professionalization of performance on three-stringed domra in Ufa.
Key words and phrases: трёхструнная домра в Уфе, А. А. Латыпов, ансамбли и оркестры русских народных инструментов, профессионализация, сольное концертное домровое исполнительство, музыка для домры, three-stringed domra in Ufa, A. A. Latypov, ensembles and orchestras of Russian folk instruments, professionalization, solo concert domra performance, music for domra
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