Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2015. № 10. Part 2. P. 66-70.
PIANO SONATA № 2 B-MOLL BY S. V. RACHMANINOFF: COMPOSITIONAL INTERPRETATION OF ARTISTIC TEXT
Ericheva Svetlana Evgen'evna
The Rachmaninov Institute in Tambov
Abstract. The article examines three versions of Piano Sonata № 2 b-moll by S. V. Rachmaninoff, two of which belong to the composer, and "the third" - to the pianist V. S. Horowitz. The author compares the interpretations of the Sonata from the viewpoint of dramaturgic and compositional structure. As a result of the research it is concluded that the changes of the material of the Sonata in the second and "third" versions differ by strengthening the dramatic beginning and consequently the intensive compression of the form.
Key words and phrases: процессуальность композиции, сквозное развитие тематизма, сжатие формы, прием реминисценции, авторские редакции сонаты, procedural character of composition, end-to-end development of subject matter, compression of form, technique of reminiscence, author’s versions of sonata
Open the whole article in PDF format. Free PDF-files viewer can be downloaded .
References:
Bobrovskii V. P. Funktsional'nye osnovy muzykal'noi formy: issledovanie. M.: Muzyka, 1978. 332 s.
Levaya T. N. Russkaya muzyka nachala XX veka v khudozhestvennom kontekste epokhi: issledovanie. M.: Muzyka, 1991. 166 s.
Sokolov O. V. Morfologicheskaya sistema muzyki i ee khudozhestvennye zhanry: monografiya. Nizhnii Novgorod: Izd-vo NNGU, 1994. 220 s.
Sorokina E. G. Fortepiannye sonaty S. V. Rakhmaninova // Iz istorii russkoi i sovetskoi muzyki / sost. A. I. Kandinskii. M.: Muzyka, 1976. Vyp. 2. S. 146-180.
Kholopova V. N. Formy muzykal'nykh proizvedenii: uchebnoe posobie. Izd-e 2-e, ispr. SPb.: Lan', 2001. 496 s.
Русский
