Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2014. № 8. Part 2. P. 81-85.
"ALMIRA, QUEEN OF CASTILE" BY G. F. HANDEL IN CONTEXT OF TRADITIONS OF HAMBURG STATE OPERA OF THE TURN OF THE XVII-XVIII CENTURIES
Kosheleva Mariya Aleksandrovna
Krasnoyarsk State Academy of Music and Theatre
Abstract. The article tries to investigate the specifics of the plot development of the libretto of the opera "Almira, Queen of Castile" in the context of the interaction of various European traditions of Hamburg State Opera of the turn of the XVII-XVIII centuries. The paper clarifies certain issues of the history of the creation of Handel’s "Almira", presents a brief survey of the history of the formation and development of Hamburg State Opera. Special attention is paid to the problem of the genre classification of libretto typical for opera seria of those days.
Key words and phrases: опера барокко, Гамбургский оперный театр, сюжетосложение, "Альмира" Г. Ф. Генделя, либретто, К. Фесткинг, baroque opera, Hamburg State Opera, plot development, G. F. Handel’s "Almira", libretto, Christian Feustking
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