Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2014. № 6. Part 1. P. 143-145.
THE GREAT PATRIOTIC WAR ON THE SCREEN: EXCLUSION OF HISTORICAL CONFLICT FROM THE PLOT OF A HISTORICAL FILM
Ovsyannikova Tat'yana Leonidovna
Russian State University of Cinematography named after S. Gerasimov, the city of Moscow
Abstract. The article deals with the peculiarities of the plot modelling of historical reality in a historical film at the modern stage of cinematography development. The author considers the situation of the exclusion of historical conflict from the plot of a historical film and analyzes the changes of the film dramaturgic structure: the features of choosing a character, a locale, events. The conclusion about the crisis of historical consciousness reflected in historical film dramaturgy is drawn in the article.
Key words and phrases: сюжет, историческая реальность, конфликт, историческое сознание, исторический фильм, plot, historical reality, conflict, historical consciousness, historical film
Open the whole article in PDF format. Free PDF-files viewer can be downloaded .
References:
Aristotel'. Poetika / per. s drevnegrecheskogo M. Pozdneva // Kniga sochinitelya. SPb.: Amfora, 2008. S. 49-112.
Barg M. A. Istoricheskoe soznanie kak problema istoriografii // Voprosy istorii. 1982. № 12. S. 49-66.
Lipovetskii M. N. V gnezde "kukushki" // Iskusstvo kino. 2006. № 4. S. 72-77.
Pondopulo G. K., Rostotskaya M. A. Novye iskusstva i sovremennaya kul'tura. Fotografiya i kino. M.: VGIK, 1997. 233 s.
Sasina M. V. Odna voina (kinostsenarii) // Iskusstvo kino. 2008. № 12. S. 115-141.
Stishova E. M. Deti Rozmari // Iskusstvo kino. 2009. № 9. S. 33-37.
Русский
