Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2014. № 3. Part 2. P. 94-97.
CONCERTO FOR CLARINET AND ORCHESTRA OF THE XVIII TH CENTURY: AT ORIGINS OF GENRE
Zlotnikov Dmitrii Evgen'evich
Saratov State Conservatory (Academy) named after L. V. Sobinov
Abstract. In this article the attempt is made to trace and identify the characteristic features of the formation and development of the genre of concerto for clarinet and orchestra of the composers of the XVIII th century. The concertos for clarinet and orchestra by J. Molter, J. Stamitz, C. Stamitz and W. A. Mozart as the first examples of this genre are chosen as the research material. By the example of these concertos the evolution of instrumentation, concert form, thematic base and the ways of its development are observed, the amount of clarinet usage as a solo instrument by composers is determined as well as the ways of the soloist’s and orchestra’s cooperation.
Key words and phrases: концерт для кларнета с оркестром, жанр концерта, И. Мольтер, Я. и К. Стамиц, В. А. Моцарт, эволюция состава оркестра, взаимодействие солиста и оркестра, concerto for clarinet and orchestra, concerto genre, J. Molter, J. and C. Stamitz, W. A. Mozart, evolu
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