Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2014. № 10. Part 3. P. 65-68.
TRIO-SONATA ROLE IN PROCESS OF FORMATION OF CHAMBER SONATA FOR CELLO AND PIANO
Gudozhnikova Ol'ga Nikolaevna
Magnitogorsk State Conservatoire (Academy) named after M. I. Glinka
Abstract. The article is devoted to trio-sonata, which became the genre source of chamber ensembles with piano. The issue of the background of cello ensemble sonata and its origins is important for understanding transformation processes in modern genre sphere. The author undertakes an attempt to set the form-making, texture and semantic features of trio-sonata that led to the birth of duet sonatas for cello and piano with peer parties and the formation of its main genre norms.
Key words and phrases: трио-соната, барокко, basso continuo, соната для виолончели и фортепиано, фактурный трио-принцип, приемы "интаволатура" и colla parte, trio-sonata, baroque, basso continuo, sonata for cello and piano, textured trio-principle, techniques of intavolatura and colla parte
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