Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2014. № 10. Part 2. P. 213-216.
GRAPHIC PRINCIPLES IN V. SHUKSHIN’S MOVIE "PECHKI-LAVOCHKI"
Shestakova Irina Valentinovna
Altai State University
Abstract. The article is devoted to the sequence of images in the movie of V. Shukshin. The author grounds the proposition that intensified author’s principle, original cinematographic language with symbols, metaphors, associative editing, recurrent figurative details, close-ups, long frames in combination with the game of angles are typical for the artistic "hand" of the director. It is concluded that the graphic principles and architectonics of the movie reflect the conception of the national unity of Russia on the basis of the preservation of its unique original culture.
Key words and phrases: изобразительный ряд, кадр, композиция, ракурс, режиссер, фильм, sequence of images, frame, composition, angle, director, movie
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References:
Pechki-lavochki. SSSR: k/st. im. M. Gor'kogo, 1972. Ch/b, sh/e. 103 min.
Tyurin Yu. P. Kinematograf Vasiliya Shukshina. M.: Iskusstvo, 1984. 319 s.
Filimonov V. Na beregu i v lodke. Geroi shukshinskogo tipa v kinematografe 1970-80-kh gg. // Kinovedcheskie zapiski. 2006. № 78. S. 273-293.
Shukshin V. M. Priznanie v lyubvi // Sobranie sochinenii: v 8-mi t. Barnaul, 2009. T. 8. S. 51-55.
Yurenev R. N. Talant obeshchaet mnogoe // Iskusstvo kino. 1973. № 12. S. 99-117.
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