Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2013. № 6. Part 2. P. 103-107.
Maksimov Evgenii Ivanovich
Moscow State Conservatory named after P. I. Chaikovskii
Abstract. The author considers Joseph Haydn’s clavier variations that form the origins of piano performance and are an important stage in the genre development, tells that these works as a genre have not been specifically considered, and the parallel "Haydn – Beethoven" is insufficiently revealed in the history of variations genre, mentions that meanwhile Haydn’s clavier variations had a strong influence on Beethoven’s works, and to some extent were the prototypes of his specific variation cycles, presents the classification of Haydn’s clavier variations, and reveals the connection between the dramatic principles of two Viennese classics’ variations.
Key words and phrases: Гайдн, Бетховен, вариационный цикл, развитие жанра вариаций, контраст, интонационное единство, фактурное сходство, Haydn, Beethoven, variation cycle, development of variations genre, contrast, intonation unity, textured similarity
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