Abstract. The author undertakes one of the few attempts in native philosophy to carry out the integral analysis of music temporality problem, shows that the results demonstrating the research novelty are the contribution to this phenomenon study: substantiates the thesis of epoch culture influence on music temporality and chronotope construction; reveals the stylistic stages of music formation in the context of time, and determines temporal paradigms.
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Key words and phrases: музыка, время, темпоральность, хронотоп, музыкальная культура, художественное время, музыкальное время, время в музыке, парадигмы, music, time, temporality, chronotope, musical culture, artistic time, music time, time in music, paradigms
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