Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2012. № 2. Part 2. P. 10-12.
Aleksandrova Elena Ivanovna
Russian University of Dramatic Art
Abstract. The author discusses one of Eisenstein's theatrical theories - mimic choirs - extra players on opera theatre stage, considering singing choir and not singing extras as the single significant component of performance, analyzes the prominent film director's position on the subject, and studies the practical application of method fundamental provisions.
Key words and phrases: ХХ век, мимический хор, опера, режиссура, Эйзенштейн, метод, theХХth century, mimic choir, opera, stage direction, Eisenstein, method
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