Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2012. № 2. Part 1. P. 65-69.
Gubareva Oksana Vital'evna
Russian Christian Classical Academy
Abstract. The author reveals the significance of Blessed Augustine's aesthetic-theological works for icon painting art formation in the early centuries of Christianity, disproves Plotinus's predominant role in this process, whose works are traditionally the basis of art criticism science, pays special attention to the differences between Blessed Augustine and Plotinus's views on art fundamental questions and shows how these differences affect the aesthetic-theological understanding of the art of icon.
Key words and phrases: иконопись, богословие иконы, древнерусское искусство, Византия, ритм в искусстве, византийская эстетика, церковное искусство, icon painting, icon theology, Old Russian art, Byzantium, rhythm in art, Byzantine aesthetics, church art
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