Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2011. № 8. Part 1. P. 77-80.
SEMANTIC CORRELATION OF DUTCH PAINTING AND EMBLEMATICS OF THE XVIITH CENTURY (BY THE EXAMPLE OF DELFT PAINTERS' WORKS)
Dmitrieva Anna Alekseevna
St. Petersburg State University
Abstract. The author considers the problem of the semantics and semantic interpretation of Dutch painting of the XVIIth century, analyzes Delft masters' genre art paintings on the basis of iconological method, studies their storyline parallels in didactic emblematics and concludes that emblematics was the source of Dutch art works content.
Key words and phrases: бытовой жанр, голландская живопись XVII в., эмблематика, семантика, реализм, Делфт, genre art, Dutch painting of the XVIIth century, emblematics, semantics, realism, Delft
Open the whole article in PDF format. Free PDF-files viewer can be downloaded .
References:
Dmitrieva A. A. "Kordegardii" i formirovanie kontseptsii inter'ernogo bytovogo zhanra v tvorchestve Pitera de Khokha pervoi poloviny 1650-kh godov // Vestnik SPbU. 2010. Seriya 2. Vyp. 1. C. 87-93.
Zvezdina Yu. N. Emblematika v mire starinnogo natyurmorta: k probleme prochteniya simvola. M.: Nauka, 1997.
Linnik I. V. Gollandskaya zhivopis' XVII veka i problemy atributsii kartin. L.: Iskusstvo, 1980.
Tarasov Yu. A. Gollandskii peizazh XVII veka. M.: Iskusstvo, 1983.
Franits W. Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution. New Haven - London: Thames and Hudson, 2004.
Gowing L. Vermeer. London: Thames and Hudson, 1995.
Kemp C. Angewandte Emblematik in Suddeutschen Barockkirchen. Berlin: Deutscher Kunstverlag, 1981.
Sutton P. Pieter de Hooch (1629-1684) // Dulwich Picture Gallery. Exhibition Catalogue. London - Hartford: Yale University Press, 1998.
Sutton P., Vergara L. Love Letters: Dutch Genre Paintings in the Age of Vermeer. London: Frances Lincoln, 2003.
Русский
