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SOURCE:	Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2011. № 4. Part 3. P. 117-119.
SCIENTIFIC AREA:	Philosophical Sciences
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ICON PAINTING AS WORLD CREATION ACT

Mukhina Anna Ivanovna
Siberian State University of Telecommunications and Computer Science

Abstract. The author considers icon painting technique as the consecutive stages of the world and human beings creation from the orthodox tradition position. All the stages of icon painting are penetrated with the deepest philosophical sense, their pathetic studying allows solving the gnosiological problem of cognition subject and forming steady world-view positions defining the quality and way of life and also directing mankind towards spiritual renewal.

Key words and phrases: икона, иконописание, иконописец, канон, "личное" и "доличное" письмо, образ и подобие Бога, онтологическое основание, бытие, символ, лик, лицо, человечество, духовное и материальное, земное, icon, icon painting, icon painter, canon, "image" and "non-image" painting, God's image and likeness, ontological basis, existence, symbol, image, face, mankind, spiritual and material, earthly

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References:

Arkhimandrit Rafail. O yazyke pravoslavnoi ikony. SPb., 2001. 127 s.
Bibler V. S. Ot naukoucheniya k logike kul'tury. M.: Nauka, 1991. 315 s.
Losskii N. O. Bog i mirovoe zlo. M.: Progress, 1999. 347 s.
Trubetskoi E. N. Tri ocherka o russkoi ikone. Novosibirsk: Sibir' XXI vek, 1991. 109 s.
Feodor Studit. Poslanie Platonu o pochitanii ikon. M., 1993. 83 s.
Florenskii P. A. Khristianstvo i kul'tura. M.: Folio, 2001. 672 s.

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