Mental Modes as a Means of Manifestation of the Author’s Figure in the Structure of the Evaluative English-Language Film Review
Klenova Ekaterina Andreevna
Saint Petersburg State University of Economics
Submitted: 01.03.2022
Abstract. The purpose of the research is to determine how the mental mode is realised as a means of explication of the author’s position in the discourse of evaluative subgenres of the user and expert online English-language film review. The researcher proceeds from the notion that the ways of actualising the position of the subject are determined by the functional characteristics of the discourse. The paper considers the subject factor in the discourse, analyses the role of identifying subjective modality and describing dominant types of evaluation in the study of the author’s position in evaluative subgenres. The research is novel in that it is the first to carry out a comparative analysis of the means of expressing subjective modality, using the material of texts of evaluative English-language film reviews, which allowed the researcher to identify the particularities of structuring the evaluative judgments made by the authors of the texts under consideration, as well as to compare these subgenres with scientific and personal types of discourse. As a result, it has been found that the differences in the meanings of the mental mode and the means of naming the addresser indicate the content variability of evaluation and the methods of reasoning and convincing the recipient chosen by the authors.
Key words and phrases: оценочный дискурс, сетевой отзыв, кинорецензия, субъект, модус, evaluative discourse, online review, film review, subject, mode
Open the whole article in PDF format. Free PDF-files viewer can be downloaded .
References:
Averina A. V. Modeli predlozhenii s semantikoi epistemicheskoi modal'nosti v nemetskom yazyke i otrazhaemye imi tipy situatsii // Vestnik Moskovskogo gosudarstvennogo oblastnogo universiteta. 2011. № 3.
Adova Yu. N. Mental'nyi modus kak modusnaya kategoriya // Vestnik Novosibirskogo gosudarstvennogo universiteta. Seriya "Istoriya, filologiya". 2017. T. 16. № 2. Filologiya.
Arutyunova N. D. Tipy yazykovykh znachenii. Otsenka. Sobytie. Fakt. M.: Nauka, 1988.
Vol'f E. M. Funktsional'naya semantika otsenki. M.: Editorial URSS, 2002.
Garanina E. Yu. Otsenochnost' v zhanre kinoretsenzii // Vestnik Kemerovskogo gosudarstvennogo universiteta. 2013. № 2 (54).
Gerasimenko I. E. Sub"ektivnaya modal'nost' i vtorichnye naimenovaniya // Innovatsionnaya nauka. 2016. № 11-2.
Kiseleva A. V. Vyrazhenie sub"ektivnoi modal'nosti v prepozitivnykh prichastnykh oborotakh v sovremennom angliiskom yazyke. 2005. URL: http://www.rusnauka.com/TIP/All/Filology/20.html
Kobrina O. A. Modusnye kategorii kak sposoby vyrazheniya sub"ektivnogo otnosheniya cheloveka k vyskazyvaniyu // Voprosy kognitivnoi lingvistiki. 2006. № 2.
Kozhemyakin E. A. Sub"ekt diskursa // Diskurs-Pi. 2013. № 3.
Kremer I. Yu. Mental'nyi modus kak interpretatsionnyi komponent teksta v sfere nauchnoi kommunikatsii // Vestnik Ryazanskogo gosudarstvennogo universiteta im. S. A. Esenina. 2015. № 4.
Stopa A. V. Zhanrovye osobennosti retsenzii i internet-otzyva: sravnitel'no-sopostavitel'nyi analiz // Ratio et Natura. Yazykoznanie. 2020. № 2. URL: https://ratio-natura.ru/vypusk-no2-2-2020-g#lang
Tsoi K. V. Kategoriya modal'nosti v filologicheskoi nauke. Avtorskaya modal'nost' v tvorchestve V. V. Nabokova // Natsional'naya assotsiatsiya uchenykh. 2015. № 3-4 (8).
Shmeleva T. V. Model' rechevogo zhanra // Zhanry rechi: sb. nauch. st. Saratov, 1997. Vyp. 1 / pod red. V. E. Gol'dina.
Русский
