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SOURCE:    Philology. Theory & Practice. Tambov: Gramota, 2021. № 11. P. 3283-3287.
SCIENTIFIC AREA:    Philological Sciences
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https://doi.org/10.30853/phil210554

N. V. Gogol’s and F. M. Dostoevsky’s Works in Folk/Public Theatre: Problems of Adaptation and Perception by Audience

Sizova Irina Igorevna
A. M. Gorky Institute of World Literature of the Russian Academy of Sciences


Submitted: 01.10.2021
Abstract. The aim of the research is to reveal the holistic reflection of N. V. Gogol’s and F. M. Dostoevsky’s works in the folk environment (from public library to public theatre) in the second half of the 19th century. The article considers N. V. Gogol’s, F. M. Dostoyevsky’s, A. Ya. Alekseev-Yakovlev’s works, reviews of the critics, pedagogues, censors, people. The scientific originality of the research is determined by monographic approach, exploration of the second half of the 19th century periodicals, specialized literature, all the popular editions of classics known at that time. As a result, social and historical, cultural and educational, aesthetic factors of people’s comprehension of N. V. Gogol’s and F. M. Dostoevsky’s "theatrical" heritage have been systematized.
Key words and phrases: народные издания Н. В. Гоголя и Ф. М. Достоевского (вторая половина XIX в.), народный/общедоступный театр, творчество А. Я. Алексеева-Яковлева, категория народности искусства, народ как объект и субъект искусства, popular editions of N. V. Gogol and F. M Dostoevsky (the second half of the 19 century), folk/public theatre, A. Ya. Alekseev-Yakovlev’s works, category of folk art, people as object and subject of art
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