Abstract. The article discusses the poetic features of the novel creativity of the famous contemporary Turkish fiction writer Z. Livaneli by the example of his two most popular novels "Serenade" (2011) and "My Brother’s Story" (2013). It is proved that the literature-centrism of Z. Livaneli’s poetics is determined by intertextual play with the clich?s of "high" classics (romanticism, sentimentalism, realism, postmodernism) and "low" mass literature. The analysis of the writer’s literary strategies leads to the conclusion that the author is oriented toward a reader with the average level of competence in reading, which inevitably leads to the simplified form of intertextuality in his works (decoding quotes, allusions and clich?s).
|
Key words and phrases: турецкая беллетристика, Зюльфю Ливанели, романы "Серенада" и "История моего брата", упрощенная интертекстуальность, поэтика повседневности, констатирующая романная идеологема, травестийная игра с цитатами и аллюзиями, уровень читательской компетенции, Turkish fiction, Zulfu Livaneli, novels "Serenade" and "My Brother’s Story", simplified intertextuality, poetics of everyday life, ascertaining novel ideologeme, travesty play with quotations and allusions, level of competence in reading
|
References:
- Chernov A. V. Russkaya belletristika 20-40-kh gg. KhIX v. (voprosy genezisa, estetiki i poetiki). Cherepovets: ChGU, 1997. 347 s.
- Chernyak M. A. Massovaya literatura KhKh veka: uchebnoe posobie. M.: Flinta; Nauka, 2009. 432 s.
- Livaneli Z. Karde?imin Hik?yesi. ?stanbul: Do?an Kitap, 2013. 325 s.
- Livaneli Z. Serenad. ?stanbul: Do?an Kitap, 2011. 482 s.
|