GRAMOTA Publishers suggests publishing your scientific articles in periodicals
Pan-ArtPedagogy. Theory & PracticePhilology. Theory & PracticeManuscript

Archive of Scientific Articles

SOURCE:    Philology. Theory & Practice. Tambov: Gramota, 2017. № 9. Part 2. P. 21-30.
SCIENTIFIC AREA:    Philological Sciences
Procedure of Scientific Articles Publication | To Show Issue Content | To Show All Articles in Section | Subject Index

License Agreement on scientific materials use.

TRAJECTORY OF SEARCH (RAINER MARIA RILKE)
Demchenko Aleksandr Ivanovich
Saratov State Conservatoire
Abstract. Rainer Maria Rilke began with things simple enough and as a particularly lyric poet. The flowering of his early works was in many respects consonant with what we usually correlate with the poetics of the "silver age". In the late 1890s he significantly complicates the imagery and general structure of the poetic thought, developing a characteristic for romantics situation of discord with the world. In search of life support, the poet associated much with Russia. The final rise of the genius of Rilke refers to the beginning of the 1920s, when he comes to that phase of his creative evolution, which can be designated by the term "last clarity". A deep comprehension of the essence of the human personality and the world around it was at the heart of his artistic heritage. Rilke’s poetry is full of a premonition and then a statement of the upheavals and huge changes on the threshold of the XX century.
Key words and phrases: Райнер Мария Рильке, созвучность раннего творчества поэтике "серебряного века", усложнение образности и художественного мышления с конца 1890-х годов, завершающий взлёт начала 1920-х годов с выходом к "последней ясности", глубинное постижение сущности человеческой личности и окружающего её мира, констатация потрясений на пороге ХХ столетия, Rainer Maria Rilke, consonance of early works with poetics of the "silver age", complexity of figurativeness and artistic thinking since the late of the 1890s, final rise of the beginning of the 1920s with the following "last clarity", deep comprehension of human personality’s essence and the world around it, statement of upheavals at the turn of the XX century
Open the whole article in PDF format. Free PDF-files viewer can be downloaded here.
References:
  1. Admoni V. G. Poeziya Rainera Marii Ril'ke // Voprosy literatury. 1962. № 12. S. 138-158.
  2. Azadovskii K. M. "Rossiya byla glavnym sobytiem.." // Ril'ke i Rossiya: pis'ma, dnevniki, vospominaniya, stikhi. SPb.: Izdatel'stvo Ivana Limbam, 2003. S. 5-117.
  3. Berezina A. G. Poeziya i proza molodogo Ril'ke. L.: Izdatel'stvo Leningradskogo universiteta, 1985. 184 s.
  4. Bukreeva L. L., Beresnev S. D. Ob adekvatnosti khudozhestvennogo obraza v originale i perevode (na materiale stikhotvoreniya R. M. Ril'ke "Abschied" i ego perevoda na russkii yazyk) // Nauchnye doklady vysshei shkoly. Filologicheskie nauki. M., 1986. № 2. S. 60-65.
  5. Demchenko A. I. Mirovaya khudozhestvennaya kul'tura kak sistemnoe tseloe. M.: Vysshaya shkola, 2010. 528 s.
  6. Demchenko A. I. "Serebryanyi vek". Saratov: Pan-Art, 2011. 68 s.
  7. Drozhzhin S. D. Sovremennyi germanskii poet Rainer Ril'ke (iz zapisok i vospominanii) // Put'. 1913. Vyp. XII. S. 47-64.
  8. Eremin V. N. Sto velikikh poetov. M.: Veche, 2005. 452 s.
  9. Zhuravleva E. I. Yazykovye sredstva sozdaniya obraznosti poeticheskogo teksta. Sensornye obrazy i ikh znachenie (na materiale stikhotvoreniya P. M. Ril'ke "Spanische T?nzerin") // Problemy kul'tury, yazyka, vospitaniya. Arkhangel'sk, 1996. Vyp. 2. S. 143-150.
  10. Zaseeva G. M. Leksiko-semanticheskie sredstva sozdaniya svyaznosti poeticheskogo teksta (na materiale "Duinskikh elegii" R. M. Ril'ke) / Severo-Osetinskii gosudarstvennyi universitet im. K. L. Khetagurova. Vladikavkaz: Izd-vo SOGU, 2003. 203 s.
  11. Ivanova E. L. Liricheskii tsikl kak forma "Chasoslova" // Voprosy filologii. SPb.: Nestor, 2006. № 12. S. 92-104.
  12. Istoriya nemetskoi literatury: v 4-kh t. M.: Nauka, 1968. T. 4. 614 s.
  13. Kalyuzhnaya L. S. Sto velikikh pisatelei. M.: Veche, 2004. 532 s.
  14. Lysenkova E. L. Evolyutsiya poeticheskogo yazyka P. M. Ril'ke i problemy ee otrazheniya v russkikh perevodakh: avtoref. diss.. k. filol. n. Magadan, 1997. 28 s.
  15. Medvedev A. A. "I eon s eonom govorit": dialog R. M. Ril'ke i Lermontova v "bol'shom vremeni" // Literaturovedcheskii zhurnal. 2014. № 35. S. 89-106.
  16. Nebesnaya arka: Marina Tsvetaeva i Rainer Mariya Ril'ke. SPb.: Egida, 1999. 397 s.
  17. Pakhomova I. V. Moskva Rainera Marii Ril'ke // Kul'tura - iskusstvo - obrazovanie: sb. nauch. st. / sost. E. F. Petrovskii. M., 1998. S. 52-53.
  18. Pigina N. V. Apellyativnost' v tsikle P. M. Ril'ke "Sonety k Orfeyu" // Inostrannye yazyki: Gertsenovskie chteniya. SPb., 1999. S. 91-92.
  19. Rainer Mariya Ril'ke i Aleksandr Benua. SPb.: Egida, 2001. 267 s.
  20. Rudnitskii M. L. Russkie motivy v "Knige Chasov" Ril'ke // Voprosy literatury. 1968. № 7. S. 135-149.
  21. Khol'tkhuzen G. E. Rainer Mariya Ril'ke, sam svidetel'stvuyushchii o sebe i o svoei zhizni. Chelyabinsk: Ural LTD, 1998. 394 s.
Procedure of Scientific Articles Publication | To Show Issue Content | To Show All Articles in Section | Subject Index

© 2006-2024 GRAMOTA Publishers

site development and search engine optimization (seo): krav.ru