PAINTING METHODS IN M. OSORGIN’S NOVEL "THE TIMES": ABOUT QUESTION OF WRITER’S STYLE
Marenina Evgeniya Pavlovna
Chelyabinsk State University
Abstract. The article considers the originality of the conception memory in the M. Osorgin’s autobiographic novel "The Times". It is attempted to describe the creation features of the literary text by means of the painting methods, functioning of which happens according to the style author’s conscious and develops as a result of the opposition interaction "free – ordered", "sensory – rational" и "clean – dirty".
Key words and phrases: М. Осоргин, стиль, поэтика, русская литература, литература русского зарубежья, M. Osorgin, style, poetics, Russian literature, Russian-language literature abroad
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