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Abstract. The author reveals the main features of garden topos in the poetics of the Russian fantastic story of the first third of the XIX th century by the example of A. Pogorel'skii’s stories, and defines garden topos as a multi-sided symbol and as a significant category of the artistic world of a work, linking the author and the narrator, describing the characters, being the attribute of both worlds: the real and the other ones.
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Key words and phrases: топос сада, художественное пространство, садовая образность, повести А. Погорельского, фантастическая повесть, двоемирие, двойник, garden topos, artistic space, garden figurativeness, A. Pogorel'skii’s stories, fantastic story, two-worlds presence, double
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References:
- Iezuitova R. V. Puti razvitiya romanticheskoi povesti // Russkaya povest' XIX veka: istoriya i problematika zhanra. L.: Nauka, 1973. S. 77-107.
- Izmailov N. V. Fantasticheskaya povest' // Russkaya povest' XIX veka: istoriya i problematika zhanra. L.: Nauka, 1973. S. 134-168.
- Markovich V. M. Dykhanie fantazii // Russkaya fantasticheskaya proza epokhi romantizma: 1820-1840 gg. L.: Izd-vo Leningrad. un-ta, 1991. S. 5-47.
- Pilyugina E. Priroda fantasticheskogo v povesti A. Pogorel'skogo "Lafertovskaya makovnitsa" [Elektronnyi resurs]. URL: http://lit.1september.ru/2001/34/6.htm
- Pogorel'skii A. Izbrannoe. M.: Sov. Rossiya, 1985. 432 s.
- Troitskii V. Yu. Khudozhestvennye otkrytiya russkoi romanticheskoi prozy 20-30-kh godov XIX veka. M.: Nauka, 1985.
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Русский
