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SOURCE:    Philology. Theory & Practice. Tambov: Gramota, 2012. № 7. Part 2. P. 181-185.
SCIENTIFIC AREA:    Philological Sciences
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D. MEYERBEER’S OPERA "ROBERT LE DIABLE" IN RUSSIAN MUSIC CULTURE OF THE 30S OF THE ХIХ TH CENTURY AND P. ERSHOV’S CREATIVE WORKS

Savchenkova Tat'yana Pavlovna
Ishim State Pedagogical Institute named after P. P. Ershov


Abstract. The author considers the significance of D. Meyerbeer’s opera "Robert le Diable" in the formation of the Russian musical theater in the 30s of the ХIХ th century, and its influence on P. P. Ershov as the author of the libretto of the opera "The Terrible Sword", where the artistic experience of the poet-storyteller is manifested as well as his aim to create national musical dramaturgy, affecting the sphere of the state ideology.
Key words and phrases: Д. Мейербер, опера, либретто, национальная музыкальная драматургия, П. П. Ершов, D. Meyerbeer, opera, libretto, national musical dramaturgy, P. P. Ershov
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References:
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  2. Gozenpud A. A. Muzykal'nyi teatr v Rossii ot istokov do Glinki: ocherk. L.: Gos. muz. izd-vo, 1959. 782 s.
  3. Dobrokhotov B. V. A. N. Verstovskii i ego opera "Askol'dova mogila". M.: Muzgiz, 1962. 88 s.
  4. Illyustrirovannyi vestnik. 1876. № 7-8.
  5. Severnaya pchela. 1834. 19 dekabrya.
  6. Yaroslavtsov A. K. Petr Pavlovich Ershov, avtor skazki "Konek-Gorbunok". Biograficheskie vospominaniya universitetskogo tovarishcha ego. SPb.: Tip. V. Demakova, 1872. 200 s.

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