“The Passenger” by M. Weinberg: Updating the repertoire in accompanist training
Vanchugov Anton Vladimirovich, Smyslova Tatyana Nikolaevna
Glinka Novosibirsk State Conservatoire
Submitted: 01.08.2024
Abstract. The research subject is the degree of application of new works not originally intended for concert performance in accompanist training. The research aims to substantiate the need to update and use rarely performed works in the educational process, which makes it possible to expand the horizons of performers and listeners. As a result, M. Weinberg’s opera “The Passenger” is considered for the first time as an example of practical application of a 20th-century work written in a complex, innovative musical language and endowed with deep psychologism during classes with piano faculty students. Weinberg’s orchestral thinking transferred to the piano sound within the framework of the clavier allows for the use of new methods of studying the work and practicing one’s own performing skills. The scientific novelty of the research lies in creating necessary transitions, cuts of individual opera numbers most suitable for performance within the framework of a concert, as well as in the first comprehensive consideration of the opera’s main characters from the viewpoint of the dramatic development of images and their psychology. The scope of application of the results presented in the article using the examples from Weinberg’s opera relates to the professional practice of an accompanist, contributing to a significant increase in the performing skills of students and invariably bringing about an expansion of the horizons of both performers in other training program specializations and listeners.
Key words and phrases: концертмейстерское мастерство, М. Вайнберг, опера «Пассажирка», авторское переложение, профессиональная подготовка концертмейстера, accompanist skills, M. Weinberg, opera “The Passenger”, author’s arrangement, accompanist training
Open the whole article in PDF format. Free PDF-files viewer can be downloaded .
References:
Bonfel'd M. Sh. Analiz muzykal'nykh proizvedenii. Struktury tonal'noi muzyki: ucheb. posobie: v 2 ch. M.: VLADOS, 2003. Ch. 1-2.
Vinogradov K. O spetsifike tvorcheskikh vzaimootnoshenii pianista-kontsertmeistera i pevtsa // Muzykal'noe ispolnitel'stvo i sovremennost' / sost. M. A. Smirnov. M.: Muzyka, 1988. Vyp. 1.
Voskoboinikova A. S. Fortepiannoe tvorchestvo Mechislava Vainberga: problemy stilya i ispolnitel'skoi interpretatsii: avtoref. diss. … k. isk. Saratov, 2017.
Goncharenko S. S. Voprosy muzykal'nogo formoobrazovaniya v tvorchestve kompozitorov KhKh veka: ucheb. posobie. Novosibirsk: Novosibirskaya gosudarstvennaya konservatoriya im. M. I. Glinki, 1997.
Goncharenko S. S., Ostanina M. N. Doklassicheskie zhanry v instrumental'nykh tsiklakh M. Vainberga // Vestnik muzykal'noi nauki. 2020. T. 8. № 4. https://doi.org/10.24411/2308-1031-2020-10060
Goroshko N. N. Formirovanie khudozhestvennykh kriteriev ispolnitel'skogo masterstva pianista v kontsertmeisterskom klasse: na primere kamerno-vokal'nogo tvorchestva rus. kompozitorov XIX veka: avtoref. diss. … k. isk. Magnitogorsk, 1999.
Grigor'eva G. V. Muzykal'nye formy XX veka: ucheb. posobie. M.: VLADOS, 2004.
Inyutochkina N. V. Fenomen pianista-kontsertmeistera v vokal'no-instrumental'nom ansamble (na primere avstro-nemetskogo vokal'nogo tsikla KhIKh st.): avtoref. diss. … k. isk. Khar'kov, 2010.
Kalinina V. D. Bazovye komponenty i professional'naya spetsifikatsiya v tvorcheskoi deyatel'nosti kontsertmeistera-pianista: avtoref. diss. … k. isk. Saratov, 2015.
Klokova A. Nesostoyavshayasya postanovka opery Vainberga «Passazhirka» v 1968 godu: kto vinovat? // Muzykal'naya akademiya. 2020. № 2. https://doi.org/10.34690/71
Kontsertmeister: prizvanie i professiya: sbornik nauchno-metod. statei / red. N. Ya. Luzum, T. B. Sideva. N. Novgorod: Nizhegorodskaya gosudarstvennaya konservatoriya (akademiya) im. M. I. Glinki, 2000.
Mazel' L. A. Stroenie muzykal'nykh proizvedenii: ucheb. posobie. Izd-e 2-e, dop. i pererab. M.: Muzyka, 1979.
Sokolov A. Vvedenie v muzykal'nuyu kompozitsiyu XX veka: ucheb. posobie. M.: VLADOS, 2004.
Sokol'vyak N. L. O stile «voennykh» kvartetov Mechislava Vainberga // Problemy muzykal'noi nauki. 2023. № 3.
Teoriya sovremennoi kompozitsii: ucheb. posobie / otv. red. V. S. Tsenova. M.: Muzyka, 2005.
Shishkin A. G., Morozova O. O. Opera «Passazhirka» Moiseya Vainberga: opyt formirovaniya kul'tury pamyati v protsesse dialoga kul'tur // Vestnik kul'tury i iskusstv. 2019. № 1 (57).
Русский
