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https://doi.org/10.30853/mns210334

Russian-Chinese Cooperation in the Sphere of Instrumental Performance: Theoretical Issues
Zhang Mingyi
Qiqihar University; Khabarovsk State Institute of Culture
Submitted: 28.07.2021
Abstract. Instrumental performance becomes an important sphere of Russian-Chinese cultural cooperation. The research objective includes theoretical justification of the specificity of Russian-Chinese cooperation in this sphere. Scientific originality of the study lies in the fact that the researcher identifies the specificity of Russian and Chinese instrumental schools, reveals the principles of their interaction. The research findings are as follows: the author reveals the contradictive and innovative nature of cultural integration based on the synthesis of instrumental performance theory and national instrumental traditions. This internally contradictive self-developing model enriches national instrumental schools, raises their global rank.
Key words and phrases: музыкально-инструментальное искусство, исполнительская школа, синтез традиций, Россия, Китай, musical instrumental art, performance school, synthesis of traditions, Russia, China
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