Isaeva Olga Anatolievna
Saint-Petersburg State Institute of Culture
Submitted: 08.05.2021
Abstract. The aim of the research is to identify the main stages of colour evolution in John Russell’s painting in the context of fine art development in the late XIX - early XX century, in the age when new trends were being shaped in international artistic practices. The article describes the painter’s attempts covering late impressionist painting, the productive post-impressionist period associated with many names in the art of France and far beyond its borders; above all, it refers to his connection with creative work of Vincent Van Gogh, Tom Roberts, Claude Monet and later with that of Henri Matisse. Primary focus is on highlighting Russell’s artistic activity related to an attempt of theoretical understanding and practical experiments in working with colour, which he consistently promoted in his own painting and in sustained personal communication and correspondence with a wide range of artists from different countries. In addition to studying the concept of colour in Russell’s creative work as such, scientific novelty of the research lies in studying its influence on Henri Matisse’s painting, which allows the researcher to shed light on the subsequent colouristic revolution in the art of Fauvist masters. As a result, it is proved that creative work of John Russell as a colouristic innovator is an integral factor in formation of the most important processes of fine art in the late XIX - early XX century.
Key words and phrases: импрессионизм, постимпрессионизм, цвет, пейзаж, фовизм, impressionism, post-impressionism, colour, landscape, Fauvism
Open the whole article in PDF format. Free PDF-files viewer can be downloaded .
Bomford D., Kirby J. Art in the making: Impressionism. L.: National Gallery, 2001. 342 p.
Cav? M.-?. Lettre douzi?me // Cav? M.-?. La Couleur. P.: Henri Plon, 1863. P. 86-87.
Duranty L. E. The new painting // The new painting: Impressionism 1874-86 / ed. by C. Moffett. San Francisco: The Fine Arts Museum of San Francisco, 1986. P. 37-49.
Galbally A. A remarkable friendship: Vincent van Gogh and John Peter Russel. Carlton: The Miegunyah Press, 2008. 288 p.
Letter 10. Early 1891 // Galbally A. The art of John Peter Russel. Melbourne: National Gallery of Victory, 1977. 124 p.
McQueen H. A Golden Age: Tom Roberts and the Arts of Spain // Lane T. Australian impressionism. Melbourne: National Gallery of Victory, 2007. R. 21-29
Prunster U. Painting Belle-?le // Albie T., Galbally A., Prunster U. Belle-?le: Monet, Russell & Matisse in Brittany. Sidney: Art Gallery of New South Wales, 2001. 242 p.
Puget C. VJ Roux-Champion, 1871-1953. Pont-Aven: Muse? des Beaux-Arts, 1996. 252 p.
Russel J. Our art gallery [Elektronnyi resurs]. URL: https://trove.nla.gov.au/newspaper/page/1532589 (data obrashcheniya: 30.04.2021).
Sainsolieu M.-C. Henri Manguin: catalogue raisonn? de l’oeuvre peint. Neuchatel: Edition Ides et Calendes, 1980. 432 p.
Tunnicliffe W. John Russell: Australia’s French impressionist. Sidney: Thames&Hudson Australia, 2018. 240 p.
Русский
