Dutch Influence in Forming Traditions of the Polish Court Portrait. Crypto Portrait
Moon Elizaveta Alexandrovna
St. Petersburg Academy of Arts named after Ilya Repin
Submitted: 17.10.2021
Abstract. The aim of the study is to consider the Dutch influence on the formation of the Polish court portrait traditions, as well as such a phenomenon as a crypto portrait. The scientific originality lies in the fact that at the moment there is an extremely limited number of studies devoted to the phenomenon of crypto portraits in altar donor images, as well as studies devoted to the investigation of the role and functions of the costume in religious art. As a result of this study, it has been revealed that in church painting and images of the Polish rulers, the "disguised portrait" ("identification portrait") occupied a special place, at the same time the "disguised portrait" was of particular importance in religious painting of the Netherlands. It has also been revealed that in church painting, the manner of depicting rulers was mainly determined by aspirations of the rulers themselves, despite calls of the church. An important conclusion obtained is that in the 16th-17th centuries, self-portraits of artists, who disguised themselves as participants in group images of historic events, became widespread. At the same time, an artist performed the function of the intermediary between the viewer and what was happening in the picture.
Key words and phrases: портрет, религиозное искусство, искусствоведение, католическая живопись, автопортрет, portrait, religious art, art criticism, Catholic painting, self-portrait
Open the whole article in PDF format. Free PDF-files viewer can be downloaded here.
References:
Dobzhenetskii T. Srednevekovyi portret v sakral'nom iskusstve Pol'shi // Ezhegodnik Natsional'nogo muzeya v Varshave - 13. Varshava, 1969.
Panofskii E. Etyudy po ikonologii: gumanisticheskie temy v iskusstve Vozrozhdeniya / per. s angl. N. G. Lebedevoi, N. A. Osminskoi. SPb.: Azbuka-klassika, 2009.
Boon K. G. Het zelfportret in de Nederlandsche en Vlaamsche schilderkunst. Amsterdam, 1947.
Campbell L. Renaissance Portraits. European Portrait-Painting in the 14th, 15th and 16th Centuries. New Haven, 1990.
De Marly D. Dress in Baroque Portraiture. The Flight from Fashion // The Antiquaries Journal. 1980. Vol. 60. Issue 2.
Dujardin P. For interne, for externe, du rapport ? la loi, du rapport ? l’image ? l’?poque moderne // Rappresentare il principe / Figurer l’?tat 1 / red. G. Sabatier, O. Calabrese, G. Zucchini. Firenze, 1990.
Eckardt G. Selbstbildnisse niederl?ndischer Maler des 17. Jahrhundert. Berlin, 1971.
Fr?art de Chambray R. Id?e de la perfection de la peinture. Le Mans, 1662.
Goeree W. Inleydingh tot de practyck der Al gemeene Schilder-konst. Middelburg, 1670.
Kemp M. Leonardo on Painting. New Haven, 1989.
King J. N. Tudor Royal Iconography. Literature and Art in an Age of Religious Crisis. Princeton, 1989.
Kruszelnicka J. Portret na ziemi che?mi?skiej. Toru?, 1982. T. 1.
?omnicka-?akowska E. Pocz?tki portretu polskiego. Adoranci w polskim malarstwie tablicowym, miniaturowym i ?ciennym wieku XV i w pierwszych dziesi?cioleciach wieku XVI // Studia ?r?d?oznawcze. 1969. T. 14.
Migasiewicz P. Ko?ci?? podominika?ski w Sieradzu. Warszawa - Sieradz, 2003.
Noworyta-Kukli?ska V. Bazylika Tr?jcy Przenaj?wi?tszej w Kro?nie. Krosno, 2000.
Peacham H. The Art of Drawing with the Pen, and Limming in Watercolours. L., 1606.
Polleross F. Between Typology and Psychology: The Role of the Identification Portrait in Updating Old Testament Representations // Artibus et Historiae. 1991. Vol. 24. Issue 12.
Pope-Hennessy J. The Portrait in the Renaissance. N. Y., 1966.
Raupp H. J. Untersuchungen zu K?nstlerbildnis und K?nstlerdarstellung in der Niederlanden im 17. Jahrhundert. Hildesheim, 1984.
Rosario I. Art and Propaganda. Charles IV of Bohemia, 1346-1378. Woodbridge, 2000.
Ruszczyc?wna J. Obraz Matki Boskiej R??a?cowej w Sandomierzu - jego geneza i tre?? historyczna // Rocznik Muzeum Narodowego w Warszawie. 1971. T. 15. Sz. 2.
Spiller P., Za?-Ograbek G. Arcybractwo szkaplerza ?wi?tego przy ko?ciele Karmelit?w w Krakowie na Piasku. Krak?w, 2001.
Steinborn V. Malarz Daniel Schutlz. Gda?szczanin w s?u?bie kr?l?w polskich. Warszawa, 2004. Poz. 4.
Tomkiewicz W. Aktualizm i aktualizacja w malarstwie polskim XVII wieku // Biuletyn Historii Sztuki. 1951. T. 13. Nr 1, 2.
Tylicki L. Meyer, Sztuka i polityka Anno 1639. Obraz B. Strobla w Prado // Porta Aurea. 1993. Vol. 2.
Van de Waal H. Drie Eeuwen Vaderlandsche Geschied-Uitbeelding 1500-1800. ’s-Gravenhage, 1952. Vols. 1-2.
Van der Velden H. The Donor’s Image: Gerard Loyet and the Votive Portraits of Charles the Bold. Turnhout, 2000.
Wallis M. Autoportrety artyst?w polskich. Warszawa, 1966.
?ukowski J. Kryptoportrety polskich wladcow w malarstwie sakralnym XVII-XVIII ww. // Rocznik historii sztuki 37. Warszawa, 2012.