Theatricality in C. M. Weber’s Chamber Instrumental Compositions
Zhao Jiawei, Mozgot Svetlana Anatol'evna
Herzen State Pedagogical University of Russia
Submitted: 17.01.2020
Abstract. The article analyses peculiarities of C. M. Weber’s individual style. The paper focuses on studying the phenomenon of theatricality in the composer’s chamber instrumental works. Theatricality originated at the intersection of classical, romantic and realistic trends in music of Romanticism. It is proved that dramaturgic techniques of estrangement, "empty stage" effect, understanding of style and genre as semantic categories influence the composer’s musical language and constitute originality of C. M. Weber’s instrumental style.
Key words and phrases: К. М. Вебер, романтизм, камерно-инструментальная музыка, вокальная интонация, приёмы театральной драматургии, музыкальный язык, индивидуальный стиль, стиль эпохи, C. M. Weber, romanticism, chamber instrumental music, vocal intonation, dramaturgic techniques, musical language, individual style, style of epoch
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