Dynamization of Da Capo Principle by the Example of J. S. Bach’s Clavier Fugues
Svistunenko Tat'yana Anatol'evna
Saratov State Conservatoire
Submitted: 18.12.2019
Abstract. The article for the first time considers J. S. Bach’s innovative approach to interpreting a form-generating potential of the da capo principle, which is widely represented in his clavier fugues. Dynamization of this principle at the tonal level is associated with the high degree of freedom and individualization when developing the fugue final theme in the basic and dominant tonalities. From the historical viewpoint, this experiment became an important landmark in the process of the three-part form formation and anticipated reprise dynamization in homophonic compositions of Vienna’s classical composers.
Key words and phrases: клавирные фуги И. С. Баха, тональная структура фуги, динамизация принципа da capo, тональная арка, структурная уравновешенность, приоритеты трехчастности, индивидуализация формы фуги, J. S. Bach’s clavier fugues, fugue tonal structure, dynamization of da capo principle, tonal arch, structural balance, priorities of three-part form, individualization of fugue form
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