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SOURCE:    Manuscript. Tambov: Gramota, 2019. № 7. P. 174-180.
SCIENTIFIC AREA:    Study of Art
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https://doi.org/10.30853/manuscript.2019.7.35

PROBLEM OF INNER MONOLOGUE IN FEATURE FILMS: VERBAL AND EDITING-ASSOCIATIVE FORMS
Bakirov Dmitrii Valer'evich
Russian Institute of Art History
Submitted: 14.04.2019
Abstract. The article considers the multidimensional nature of the "inner monologue" concept, identifies the specificity of the "inner monologue" term functioning in different spheres of art criticism. The author focuses on analysing inner monologue in feature films as a means to reveal a personage’s psychology, to represent his inner world by means of cinematography. Relying on the existing theoretical basis and on the analysis of some films the author identifies two cardinally different forms of inner monologue presentation in feature films: voice-over and complicated associative audio-visual editing. The paper justifies the necessity to clarify the term: two basic forms of inner monologue presentation in feature films should be designated as verbal and editing-associative forms.
Key words and phrases: внутренняя речь, внутренний монолог, закадровый голос, поток сознания, внутренний мир персонажа, вербальная форма внутреннего монолога, монтажно-ассоциативная форма внутреннего монолога, киноповествование, С. М. Эйзенштейн, inner speech, inner monologue, voice-over, stream of consciousness, personage’s inner world, verbal form of inner monologue, editing-associative form of inner monologue, movie story, S. M. Eisenstein
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