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SOURCE:    Manuscript. Tambov: Gramota, 2019. № 4. P. 117-121.
SCIENTIFIC AREA:    Philosophical Sciences
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https://doi.org/10.30853/manuscript.2019.4.24

ETHNO-MODERNITY AS A NEW CREATIVE PARADIGM OF ARTISTIC CULTURE OF YAKUTIA
Pudov Aleksei Grigor'evich
Yakut State Agricultural Academy
Submitted: 02.02.2019
Abstract. The features of the artistic culture of Yakutia in the first quarter of the XXI century are of interest from the point of view of philosophical analysis revealing certain regularities behind the aesthetic form of works of art that have not been previously recorded in culture. The article gives an explication of the indicated regularities of a productive cultural paradigm identified by the term "ethno-modernity". The analysis of this paradigm is carried out by the example of characteristic works of such modern art forms of Yakutia as theatre, cinema, fine arts and music. The paper shows the features of works of art transmitted by the aesthetics of a form combining single-type or different-type symbolic constructs of consciousness. As a result of the study, the author shows that a creative cultural paradigm is taking shape that expands the familiar cultural topic of the ethnic groups of the North-East of Russia called ethno-modernity, which is also combined with the state of ethno-pre-modernity. For the first time, the realization of this paradigm is revealed by the examples of concrete works of art.
Key words and phrases: Якутия, искусство, этническая культура, этномодерн, этнопремодерн, этнический символ, трансмиграция символа, Yakutia, art, ethnic culture, ethno-modernity, ethno-pre-modernity, ethnic symbol, transmigration of symbol
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