COMPOSITION AND ARTISTIC CONTENT OF ROBERT STURUA’S PERFORMANCE "RICHARD III" BY WILLIAM SHAKESPEARE’S PLAY OF THE SAME NAME
Mal'tseva Ol'ga Nikolaevna
Russian Institute for the History of the Arts
Submitted: 11.01.2019
Abstract. The article examines Robert Sturua’s performance "Richard III" by Shakespeare’s play of the same name (1979, Rustaveli National Theater, Georgia). Having studied the theatrical-critical articles devoted to it, the author comes to the conclusion about the unresolved issue of the artistic content of the production and offers her judgment on the basis of identifying the performance’s composition. The study of the press, the structure of the play and its content will be useful to theorists and practitioners of the theater, teachers of theater universities in the courses on the history and theory of theater, in seminars on the history of theater and theater criticism.
Key words and phrases: Роберт Стуруа, спектакль Роберта Стуруа "Ричард III", Уильям Шекспир, "Ричард III" Шекспира, Грузинский государственный академический театр имени Шота Руставели (Тбилиси), драматический театр, поэтика драматического театра, Robert Sturua, Robert Sturua’s performance "Richard III", William Shakespeare, "Richard III" by Shakespeare, Rustaveli National Theater (Tbilisi), drama theatre, poetics of drama theatre
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