INDIVIDUAL, ACTUAL HISTORICAL AND PANHUMAN IN STILL-LIFE PAINTINGS "BREAKFAST" (1646) BY PIETER CLAESZ AND "STILL-LIFE WITH A HERRING" (1918) BY K. S. PETROV-VODKIN
Dmitrieva Natal'ya Yur'evna
Krasnoyarsk State Pedagogical University named after V. P. Astafyev
Submitted: 12.11.2019
Abstract. The article provides a philosophical and art-criticism analysis of the still-life paintings "Breakfast" (1646) by Pieter Claesz and "Still-Life with a Herring" (1918) by K. S. Petrov-Vodkin, revels their ideological content. It is shown that these works can serve as cultural models representing the authors’ individual style, historical context of the Netherlandian and Russian artistic culture of the corresponding period, aspects of panhuman vision expressed through artistic conception of Christian Eucharist.
Key words and phrases: Кузьма Сергеевич Петров-Водкин (1878-1939), Питер Клас (1597-1661), натюрморт, культурный эталон, репрезентант, Таинство Евхаристии, Kuzma Sergeevich Petrov-Vodkin (1878-1939), Pieter Claesz (1597-1661), still life, cultural model, representative, Mystery of the Eucharist
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