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SOURCE:    Manuscript. Tambov: Gramota, 2019. № 11. P. 350-359.
SCIENTIFIC AREA:    Study of Art
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https://doi.org/10.30853/manuscript.2019.11.66

M. A. ZAKHAROV’S PERFORMANCE "FALSTAFF AND THE PRINCE OF WALES" (THE LENKOM THEATRE, 2018): PLOT, COMPOSITION, GENRE, WAY OF ACTOR’S EXISTENCE
Ryaposov Aleksandr Yur'evich
Russian Institute of Art History
Submitted: 25.07.2019
Abstract. The article is devoted to studying the performance "Falstaff and the Prince of Wales", the culmination of the creative work of M. A. Zakharov (1933-2019), a representative of the brilliant pleiad of stage directors of the sixties, the director of the Lenkom Theatre for forty five years and a brilliant art director. The paper focuses on studying scenic poetics of the performance. Research methodology includes: 1) methods to study poetics of works of fiction developed within the formal school of literary criticism; 2) methods to reconstruct and analyse a performance developed within Leningrad (Gvozdev) school of theatre studies; 3) approaches to studying director’s strategies developed within Petersburg school of Meyerhold studies; 4) the method of contextual analysis. The study aims to reconstruct the performance and to analyse the basic components of its poetics. The research objectives are as follows: 1) to reconstruct the performance; 2) to identify the director’s plot and the methods of the plot composition; 3) to analyse scenography from the viewpoint of spatial-temporal arrangement; 4) to clarify compositional principles of the performance arrangement; 5) to identify the genre nature of the performance; 6) to identify the ways of actor’s existence and to reveal their meaning; 7) to identify the place and role of this performance in M. A. Zakharov’s creative work.
Key words and phrases: М. А. Захаров, "Фальстаф и принц Уэльский", формальная школа литературоведения, поэтика, гвоздевская театроведческая школа, реконструкция спектакля, анализ спектакля, режиссерский сюжет и приемы его сложения, композиция, жанр, способ актерского существования, M. A. Zakharov, "Falstaff and the Prince of Wales", formal school of literary criticism, poetics, Gvozdev school of theatre studies, reconstruction of performance, analysis of performance, director’s plot and methods of plot composition, composition, genre, way of actor’s existence
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