Prokhortsova Mariya Maksimovna
Saint Petersburg University
Submitted: 23.10.2018
Abstract. The article examines the problem of representing Eucharist themes in the pictorial and sculptural Spanish reredos of the XIV-XVII centuries, which haven’t previously been in the focus of researchers’ attention. As the author shows, Eucharist stories are usually placed in the aisle and its central scene forms symbolic and compositional axis with the crucifix, the top of the composition. When oblations for laymen became less frequent reredos served as a visual substitution of Eucharist. The inclusion of tabernacles in reredos structure changes their composition towards a smaller number of images.
Key words and phrases: ретабло, евхаристический культ, визуальная компенсация причастия, дарохранительница, пресуществление, Латеранский собор, Тридентский собор, reredos, Eucharist cult, visual compensation of Eucharist, tabernacle, transubstantiation, Council of the Lateran, Council of Trent
Open the whole article in PDF format. Free PDF-files viewer can be downloaded .
References:
Lidov A. M. Vizantiiskii antependium. O simvolicheskom prototipe vysokogo ikonostasa // Ikonostas: proiskhozhdenie - razvitie - simvolika: sb. st. / red.-sost. A. M. Lidov. M.: Progress-Traditsiya, 2000. S. 161-206.
Lidov A. M. Ikona. Mir svyatykh obrazov v Vizantii i Drevnei Rusi. Ul'yanovsk: Feoriya, 2014. 405 s.
Shalina I. A. Vkhod "Svyataya svyatykh" i vizantiiskaya altarnaya pregrada // Ikonostas: proiskhozhdenie - razvitie - simvolika: sb. st. / red.-sost. A. M. Lidov. M.: Progress-Traditsiya, 2000. S. 52-84.
Yur'eva T. Yu. Altarnoe prostranstvo katolicheskogo khrama kak zapadnoevropeiskii analog russkogo pravoslavnogo ikonostasa // Verkhnevolzhskii filologicheskii vestnik. 2016. № 3. S. 98-103.
Yur'eva T. Yu. Pravoslavnyi ikonostas kak kul'turnyi sintez. Yaroslavl': Izd-vo YaGPU im. K. D. Ushinskogo, 2005. 249 s.
Berg-Sobr? J. Behind the altar table: the development of the painted retable in Spain, 1350-1500. Columbia: University of Missouri Press, 1989. 384 p.
Bogdanovi? J. The Moveable Canopy. The Performative Space of the Major Sakkos of Metropolitan Photios // Byzantino-Slavica. 2014. Vol. 1-2. P. 256-258.
Brown J., Mann R. G. Spanish paintings of the fifteenth through nineteenth centuries. Washington - Cambridge: Cambridge University Press, 1990. 165 p.
Camon Aznar J. Summa artis. Pintura medieval espa?ola. Madrid: Espasa-Calpe, 1988. 716 p.
Ceballos A. R. G. de. Image and Counter-Reformation in Spain and Spanish America // Sacred Spain: art and belief in the Spanish world. Indianapolis - New Haven: Indianapolis Museum of Art; Yale University Press, 2009. P. 15-36.
Deurbergue M. The visual liturgy: altarpiece painting and Valencian culture (1442-1519). Brepols, 2012. 291 p.
Fern?ndez Gracia R. El retablo barroco en Navarra. Pamplona: Universidad de Navarra; Departamento de Historia del Arte, 2002. 754 p.
Font L. La Eucarist?a: el tema eucaristico en el arte de Espa?a. Bercelona: Editorial Seix Barral, S. A., 1952. 145+XLVII p.
Fourteenth century painting in the kingdom of Aragon beyond the sea. N. Y.: Hispanic society of America, 1929. 25 p.
Hern?ndez Nieves R. Los retablos de Extremadura. Badajoz: Editora Regional de Extremadura, 2008. 104 p.
Kroesen J. E. A. Staging the Liturgy: The Medieval Altarpiece in the Iberian Peninsula. Lueven - P. - Walpole: Peeters, 2009. 467 p.
La Cartuja de Miraflores. Madrid: Fundaci?n Iberdrola, 2007. Vol. 2. 77 p.
Lacarra Ducay M. C. del. Primitivos aragoneses en el Museo Provincial de Zaragoza. Zaragoza: Instituci?n "Fernando el Catolico", 1970. 189 p.
Mart?n Gonz?lez J. J. Sagrario y manifestador en el retablo barroco espa?ol // IMAFRONTE. 1998. № 12. P. 25-50.
Robinson C. Preaching to the Converted: Valladolid’s "Cristianos nuevos" and the "Retablo de don Sancho de Rojas" (1415) // Speculum. 2008. Vol. 83. № 1. P. 112-163.
Ruiz i Quesada F. Retablo de la Instituci?n de la Eucarist?a // La Luz de las Im?genes. Valencia: Generalitat Valenciana, 2001. P. 218-223.
Trens M. La Eucarist?a en el arte Espa?ol. Barcelona: Ayma S.L., 1952. 333 p.
Русский
