MUSICAL EMBODIMENT OF HISTORIC FIGURES IN THE OPERA "BOYARINA MOROZOVA" BY R. K. SHCHEDRIN (IN COMMEMORATION OF THE COMPOSER’S 85TH ANNIVERSARY)
Sviridova Irina Aleksandrovna, Oshchepkova Oksana Valerievna, Nikolaeva Ekaterina Yur’evna
Sobinov Saratov State Conservatory Saratov Regional College of Arts
Saratov Regional College of Arts
Submitted: 02.05.2018
Abstract. The article is devoted to the topical problem of the research of R. K. Shchedrin’s opera and choral creativity by the example of the choral opera "Boyarina Morozova". The objective of the work is to study the features of the musical embodiment of historic personalities in the opera, and the main task is to analyze the interaction of literary and musical features in order to reveal the figurative side of the musical composition. Special attention is paid to the relationship of historical sources (Old Slavonic texts "The Life of Avvakum" and "The Life of Boyarina Morozova, Her Sister Princess Urusova, and Mariya Danilova", the letters of Avvakum to his spiritual daughters Morozova and Urusova and his "On the Three Confessors, the Word of the Lamenting", the research by S. A. Zenkovsky "Russia’s Old Believers: Spiritual Movements of the XVII century", A. Vekshina "Ten Outstanding Women in the History of Russia") with different types of art (music, painting, iconography, literature, cinema, theater). The work has an interdisciplinary character; it touches upon the issues of history, philosophy, psychology, fine arts, film, theater, literature and musicology.
Key words and phrases: Р. К. Щедрин, оперно-хоровое творчество Р. К. Щедрина, опера "Боярыня Морозова", "Житие боярыни Морозовой", протопоп Аввакум, раскол, "русская хоровая опера", сакральное, старообрядчество, R. K. Shchedrin, R. K. Shchedrin’s opera and choral creativity, opera "Boyarina Morozova", "The Life of Boyarina Morozova", protopope Avvakum, split, "Russian choral opera", the sacred, Old Belief
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