VILLA D’ESTE AND ITS MUSICAL EMBODIMENT IN F. LISZT’S WORKS: PECULIARITIES OF SYNTHETISM MANIFESTATION IN THE COMPOSER’S MUSIC
Abramovich Ol'ga Aleksandrovna
Eastern State Institute of Arts
Submitted: 15.10.2018
Abstract. The article identifies the specificity of the art synthetism of the XIX century by the example of F. Liszt’s music pieces from the cycle "Years of Pilgrimage". Different approaches and methods of music works analysis are used for this purpose, they are: holistic, semantic, graphic, structural, and so on. The author touches upon the history of writing the compositions, the peculiarities of external design, and reveals the features of the tonal plane, form making, dramaturgic interpretations. In the course of the analysis, a variety of relations between the compositions, which allow combining the studied pieces into a mini-cycle, is considered.
Key words and phrases: синтетизм, Ф. Лист, вилла д’Эсте, кипарисы, фонтаны, графическое изображение, семантика, synthetism, F. Liszt, Villa d’Este, cypress trees, fountains, graphic representation, semantics
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