Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2018. № 2. P. 125-128.
HYBRID MUSICAL INSTRUMENTS IN THE ESTHETICS OF PIANO PERFORMING
Malykhina Irina Valer'evna
Moscow City University
Submitted: 11.01.2018
Abstract. Due to the developed system of audio- and video-recording, availability of any musical composition on the Internet and, consequently, the change in attitude towards art in the esthetics of piano performing (composer - performer - listener) recently there appeared a problem of excessive visualization. The author believes that the situation can be improved by using hybrid musical instruments, in particular, the information system Disklavier, the usage of which allows achieving the listener’s "esthetic sympathy" and transforming the worldview of both the listener and the performer.
Key words and phrases: фортепианное исполнительство, Дисклавир, гибридные музыкальные инструменты, звукозапись, визуализация, piano performing, Disklavier, hybrid musical instruments, sound record, visualization
Open the whole article in PDF format. Free PDF-files viewer can be downloaded here.
References:
Bertenson N. V. Anna Nikolaevna Esipova. Ocherk zhizni i deyatel'nosti. L.: Muzgiz, 1960. 151 s.
Zimin P. N. Istoriya fortepiano i ego predshestvennikov. M.: Muzyka, 1968. 215 s.
Iglamova A. A. Fortepiannoe ispolnitel'stvo kak fenomen kul'tury: diss.. k. filos. n. Kazan', 2006. 138 s.
Ingarden R. Issledovaniya po estetike / per. s pol'sk. A. Ermilova i B. Fedorova. M.: Izdatel'stvo inostrannoi literatury, 1962. 572 s.
Kogan G. M. Svet i teni gramzapisi // Sovetskaya muzyka. 1969. № 5. S. 60-68.
Komissarov A. V. Istoki vozniknoveniya muzykal'no-komp'yuternykh tekhnologii: ot drevnosti do nachala XXI veka // Traditsii i innovatsii v sovremennom kul'turno-obrazovatel'nom prostranstve: materialy IV mezhdunarodnoi nauchno-prakticheskoi konferentsii / otv. red. L. A. Rapatskaya. M.: Izd-vo MGGU im. M. A. Sholokhova, 2013. S. 246-250.
Lishaev S. A. Ontologiya esteticheskikh raspolozhenii: diss.. d. filos. n. Samara, 2001. 411 s.
Samokhvalova V. I. Tvorchestvo i energii samoutverzhdeniya // Voprosy filosofii. 2006. № 5. S. 34-46.
Sibiryakov V. N. Zvukozapis' kak forma esteticheskoi interpretatsii: diss.. k. filos. n. M., 2016. 168 s.
Chernobrivets P. A. Osnovy muzykal'noi estetiki. SPb.: Renome, 2014. 304 s.