Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2018. № 2. P. 121-125.
A. P. BOGOLUBOV’S INFLUENCE ON I. Y. REPIN’S PLEIN-AIR PAINTING (BY THE MATERIALS OF 1874 TRIP TO VEULES (NORMANDIE))
Il'ina Irina Anatol'evna
Saratov State Art Museum named after A. N. Radishchev; Saratov State Conservatoire
Submitted: 25.01.2018
Abstract. The author examines the peculiarities of the artistic situation that developed during I. Y. Repin’s 1874 trip to Veules (Normandie), which favourably influenced his landscape paintings of that period. The paper identifies previously uninvestigated motives for the painter’s considerable progress in plein-air painting and justifies the hypothesis on A. P. Bogolubov’s key role in making Repin familiar with the achievements of contemporary European landscape painting. It is shown that professor A. P. Bogolubov hold a leading position among the Russian pensioners of the Academy of Fine Arts in Paris at the beginning of the 1870s.
Key words and phrases: искусство второй половины XIX века, пейзажная живопись, пленэр, Боголюбов, Репин, art of the second half of the XIX century, landscape painting, plein air, A. P. Bogolubov, I. Y. Repin
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